"Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas)" by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich was released on January 1, 1996. The duration of Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas) is about 3 minutes long, at 3:18. Based on our data, "Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Tchaikovsky: Ballet Suites". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. The popularity of Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake (Suite), Op. 20a, TH. 219: V. Danse Hongroise (Czardas) by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich having a BPM of 162 with a half-time of 81 BPM and a double-time of 324 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai - Arranged for Flute | Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker | A Minor | 2 | 8A | 101 BPM | ||
Hungarian Dance No. 1 In G Minor, WoO 1 (Orchestrated By Johannes Brahms) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | G Minor | 4 | 6A | 78 BPM | ||
Serenade For Strings In E, Op.22, B. 52: 3. Scherzo (Vivace) | Antonín Dvořák, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 135 BPM | ||
Verklärte Nacht, Op.4: 1. Grave (Arr. For String Orchestra By Schoenberg - 1943 Revised Version) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 89 BPM | ||
Concerto Grosso In G Minor, Op. 6, No. 8, "Christmas Concerto" : I. Vivace - Grave | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | G Major | 0 | 9B | 52 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 2 | 4B | 80 BPM | ||
Cello Sonata in G Minor, Op. 65: II. Scherzo. Allegro con brio | Frédéric Chopin, Martha Argerich, Mstislav Rostropovich | D Minor | 1 | 7A | 96 BPM | ||
Lensky's Variation - Pas De Deux (Onegin Ballet Suite No 4 & 5) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | A♭ Major | 9 | 4B | 125 BPM | ||
Quintettino Op.30 No.6, G.324: 5. Ritirata | Luigi Boccherini, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 130 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM |
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