"Verklärte Nacht, Op.4: 1. Grave (Arr. For String Orchestra By Schoenberg - 1943 Revised Version)" by Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1974. Since Verklärte Nacht, Op.4: 1. Grave (Arr. For String Orchestra By Schoenberg - 1943 Revised Version) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Schoenberg: Verklärte Nacht; Pelleas und Melisande". In this album, this song's track order is #1. Verklärte Nacht, Op.4: 1. Grave (Arr. For String Orchestra By Schoenberg - 1943 Revised Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Verklärte Nacht, Op.4: 1. Grave (Arr. For String Orchestra By Schoenberg - 1943 Revised Version) by Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | ||
Symphony No. 8 in C Minor, Op. 65: V. Allegretto | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 93 BPM | ||
Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | B♭ Minor | 0 | 3A | 125 BPM | ||
Parsifal, WWV 111 / Act I: Verwandlungsmusik | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 91 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 66 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 2. The Seven Ages: Variation 3. Largamente, ma mosso | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A Major | 1 | 11B | 140 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of the Rival Tribes | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 4 | 5A | 82 BPM |
Section: 0.9240398406982422
End: 0.9283549785614014