"Harpsichord Suite No. 1 in B-Flat Major (Set II), HWV 434: Minuet (Arr. Kempff)" by George Frideric Handel, Wilhelm Kempff was released on August 17, 2018. The duration of Harpsichord Suite No. 1 in B-Flat Major (Set II), HWV 434: Minuet (Arr. Kempff) is about 3 minutes long, at 3:25. Based on our data, "Harpsichord Suite No. 1 in B-Flat Major (Set II), HWV 434: Minuet (Arr. Kempff)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wilhelm Kempff's "Kempff plays Bach" album is number 10 out of 14. Based on our statistics, Harpsichord Suite No. 1 in B-Flat Major (Set II), HWV 434: Minuet (Arr. Kempff)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Harpsichord Suite No. 1 in B-Flat Major (Set II), HWV 434: Minuet (Arr. Kempff) by George Frideric Handel, Wilhelm Kempff to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HVW 56, Part 3, Scene 1: I know that my redeemer liveth | George Frideric Handel, Bible, Charles Jennens, Kerstin Avemo, Rebaroque, Gary Graden | G Minor | 1 | 6A | 86 BPM | ||
Six Pieces for Piano, Op. 118: II. Intermezzo in A Major. Andante teneramente (Arr. Popov for Clarinet and Piano) | Johannes Brahms, Andreas Ottensamer, Yuja Wang | D Major | 0 | 10B | 138 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
Concerto grosso in C Minor, Op. 6, No. 8 HWV 326: IV. Adagio | George Frideric Handel, The English Concert, Trevor Pinnock, Simon Standage, Elizabeth Wilcock | B Minor | 2 | 10A | 121 BPM | ||
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
6 Consolations, S. 172: No. 3 in D flat major (Lento, placido) | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 75 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM |
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