The Kingdom, Op. 51: Vb. The Upper Room "Thou, Almighty Lord" - Sir Edward Elgar, Claire Rutter, Susan Bickley, John Hudson, Iain Paterson, Sir Mark Elder, Hallé Information

Acousticness: 95%
Danceability: 8%
Energy: 2%
Instrumentalness: 11%
Liveness: 17%
Loudness: 50%
Speechiness: 5%
Valence: 4%
Popularity: 0%
Loudness: -29.836 dB

Summary

"The Kingdom, Op. 51: Vb. The Upper Room "Thou, Almighty Lord"" by Sir Edward Elgar, Claire Rutter, Susan Bickley, John Hudson, Iain Paterson, Sir Mark Elder, Hallé was released on 2008. The Kingdom, Op. 51: Vb. The Upper Room "Thou, Almighty Lord" is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 6 out of 60 in Elgar Oratorios by Sir Edward Elgar, Hallé, Sir Mark Elder. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of The Kingdom, Op. 51: Vb. The Upper Room "Thou, Almighty Lord" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Kingdom, Op. 51: Vb. The Upper Room "Thou, Almighty Lord" BPM

The tempo marking of The Kingdom, Op. 51: Vb. The Upper Room "Thou, Almighty Lord" by Sir Edward Elgar, Claire Rutter, Susan Bickley, John Hudson, Iain Paterson, Sir Mark Elder, Hallé is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

The Kingdom, Op. 51: Vb. The Upper Room "Thou, Almighty Lord" Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sibelius: Finlandia, Op. 26	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	A♭ Major	1	4B	150 BPM
Lyric Pieces, Book 5, Op. 54: Nocturne	Edvard Grieg, Alessio Bax	C Major	0	8B	72 BPM
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)	Antonín Dvořák, Yo-Yo Ma, Kathryn Stott	B Minor	0	10A	92 BPM
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus)	Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	D Major	2	10B	110 BPM
Salut d'amour, Op. 12 (version for orchestra)	Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	82 BPM
Suite for Viola & Small Orchestra: II. Carol	Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei	C Minor	0	5A	85 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846	Daniel Barenboim	C Major	0	8B	95 BPM
Capriol Suite: 1. Basse-danse	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	D Minor	2	7A	133 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	C Major	1	8B	96 BPM

ISRC: GBXSY1000087
Label: L-M Records/RCA Records

Section: 0.7949442863464355

End: 0.7984905242919922