"Between two worlds; Judgement Day: The Sound of Breaking Glass - the Ship sails again" by Erich Wolfgang Korngold, Alexander Frey, Deutsches Symphonie-Orchester Berlin, John Mauceri was released on January 1, 1995. The duration of Between two worlds; Judgement Day: The Sound of Breaking Glass - the Ship sails again is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Between two worlds; Judgement Day: The Sound of Breaking Glass - the Ship sails again's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Erich Wolfgang Korngold, Deutsches Symphonie-Orchester Berlin, John Mauceri's "Korngold: Between Two Worlds/Symphonic Serenade/Theme &" album is number 11 out of 19. Between two worlds; Judgement Day: The Sound of Breaking Glass - the Ship sails again is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Between two worlds; Judgement Day: The Sound of Breaking Glass - the Ship sails again by Erich Wolfgang Korngold, Alexander Frey, Deutsches Symphonie-Orchester Berlin, John Mauceri to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Holberg Suite, Op. 40: I. Prelude (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 74 BPM | ||
Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM |
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