"Requiem, K. 626. Lacrymosa" by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus, Laszlo Heltay was released on January 1, 1984. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 30 in Amadeus (The Complete Soundtrack Recording) by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields. Requiem, K. 626. Lacrymosa is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, K. 626. Lacrymosa by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus, Laszlo Heltay is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Requiem in D minor, K.626: 8.Communio: Lux aeterna | Wolfgang Amadeus Mozart, Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Minor | 2 | 7A | 89 BPM | ||
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | E♭ Major | 3 | 5B | 87 BPM | ||
12 Concertos, Op.3 - "L'estro armonico" - Concerto No.11 in D minor for 2 violins and cello: Allegro | Antonio Vivaldi, Iona Brown, Roy Gillard, Kenneth Heath, Christopher Hogwood, Colin Tilney, Robert Spencer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 3 | 7A | 118 BPM | ||
3rd Movement: Scherzo | London Philharmonic Orchestra | C Major | 1 | 8B | 118 BPM | ||
Requiem in D minor, KV 626: III. Sequenz: N°6 Lacrimosa | Schola Cantorum Cantate Domino | D Major | 1 | 10B | 85 BPM | ||
Carmina Burana: Stetit puella | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | C Minor | 2 | 5A | 95 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | G Minor | 2 | 6A | 119 BPM | ||
Götterdämmerung: Siegfried funeral march | Richard Wagner, Wilhelm Furtwängler, Orchestra Sinfonica di Roma della RAI | C Minor | 1 | 5A | 62 BPM | ||
Song of India | Arthur Fiedler | G Major | 1 | 9B | 96 BPM |
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