"The Rainy Day" by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach was released on March 6, 2020. The duration of The Rainy Day is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. The Rainy Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Long Day Closes: Sullivan Part Songs". In this album, this song's track order is #16. Based on our statistics, The Rainy Day's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rainy Day by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 1 | 8B | 114 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM | ||
Tales From The Vienna Woods | Kathryn Grayson | D♭ Major | 1 | 3B | 63 BPM | ||
The Merry Widow: Overture | Franz Lehár, Anton Niessner, Emmy Loose, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Otakar Kraus, Josef Schmidinger, Philharmonia Orchestra, Philharmonia Chorus, Otto Ackermann | C Major | 4 | 8B | 144 BPM | ||
The Beauty Stone, Act I Scene 2: Finale. In vain ye plead, some magic spell enthralls him! (Saida, Guntran, Devil, Joan, Simon, Philip, Chorus) | Arthur Sullivan, Rory Macdonald, BBC National Orchestra Of Wales, Toby Spence, Rebecca Evans, Alan Opie, David Stout, Stephen Gadd, Catherine Wyn-Rogers | C Major | 1 | 8B | 74 BPM | ||
6 Songs from A Shropshire Lad: No. 2. When I was one-and-twenty | George Butterworth, Roderick Williams, Iain Burnside | B Minor | 1 | 10A | 165 BPM | ||
The Pirates of Penzance: When the Foe-Man Bares His Steel | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | D Major | 3 | 10B | 59 BPM | ||
15. When darkly looms the day | Arthur Sullivan, Mary Sansom, Pauline Wales, Jennifer Toye, Gillian Knight, Yvonne Newman, Thomas Round, Alan Styler, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | B♭ Major | 2 | 6B | 94 BPM | ||
Requiem: 6. Hosanna | Andrew Lloyd Webber, Plácido Domingo, Sarah Brightman, Lorin Maazel, English Chamber Orchestra | F♯ Major | 2 | 2B | 77 BPM | ||
The Mikado / Act 1: 11. So Please You, Sir, We Much Regret | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 116 BPM |
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