- BPM
- 64
- Key
- D Minor
- Camelot
- 7A
Cello Concerto (Farewell to Philosophy): (Bar 293) - Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd Information
- Acousticness
- 99%
- Danceability
- 23%
- Energy
- 8%
- Instrumentalness
- 87%
- Liveness
- 19%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -22.814 dB
Summary
"Cello Concerto (Farewell to Philosophy): (Bar 293)" by Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd was released on April 18, 2020. The duration of Cello Concerto (Farewell to Philosophy): (Bar 293) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Cello Concerto (Farewell to Philosophy): (Bar 293)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work From Home with British Classics by Ralph Vaughan Williams, Gustav Holst, Edward Elgar. The song's track number on the album is #23 out of 186 tracks. Cello Concerto (Farewell to Philosophy): (Bar 293) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cello Concerto (Farewell to Philosophy): (Bar 293) BPM
Since Cello Concerto (Farewell to Philosophy): (Bar 293) by Gavin Bryars, Julian Lloyd Webber, English Chamber Orchestra, James Judd has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Cello Concerto (Farewell to Philosophy): (Bar 293) being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Cello Concerto (Farewell to Philosophy): (Bar 293) Key
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | |
 | Für Fritz (Chaconne in A Minor) | Moondog, Vanessa Wagner | F Major | 2 | 7B | 137 BPM | |
 | Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | |
 | Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi | F Major | 3 | 7B | 124 BPM | |
 | Sea Of Tranquillity | Colleen | G Minor | 3 | 6A | 106 BPM | |
 | Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | |
 | Genevieve | Gavin Bryars, John Berger, John Christie, Roger Heaton, James Woodrow, Bill Hawkes | B Major | 2 | 1B | 80 BPM | |
 | The Tides of Manaunaun - 1912 | Henry Cowell, Floraleda Sacchi | D♭ Major | 0 | 3B | 91 BPM | |
 | Four Walls: Act I, Scene 1 | John Cage, Aki Takahashi, Megumi Hashiramoto | A Minor | 0 | 8A | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6696822643280029
End: 0.6736516952514648