Maria Cebotari, Heinrich Schlusnus, Berliner Rundfunk-Sinfonie-Orchester's 'Gott schenkte eine Tochter mir (La Traviata)' came out on August 7, 2006. Since Gott schenkte eine Tochter mir (La Traviata) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "The Art of Maria Cebotari". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Austria. Gott schenkte eine Tochter mir (La Traviata) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gott schenkte eine Tochter mir (La Traviata) by Maria Cebotari, Heinrich Schlusnus, Berliner Rundfunk-Sinfonie-Orchester having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Komm heraus, verworfner Knabe (Figaros Hochzeit) | Margarete Teschemacher, Carl Wessely, Hubert Buchta, Elisabeth Waldenau, Hannerle Franck, Angela Kolniak, Kurt Böhme, Hans-Herbert Fiedler, Paul Schöffler, Mathieu Ahlersmeyer, Maria Cebotari, Chor Und Orchester Des Reichssenders Stuttgart | B♭ Major | 3 | 6B | 94 BPM | ||
Lucia di Lammermoor, Act I: Ancor non giunse! | Gaetano Donizetti, Zuzana Markova, Carlotta Vichi, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 100 BPM | ||
Der Zaubertrank, Pt. 2: XI. In dem Gebüsch der Brombeersträuche | Frank Martin, Maria Cebotari, Vienna State Opera Chorus, Budapest Philharmonic Orchestra, Ferenc Fricsay | G Major | 3 | 9B | 91 BPM | ||
I Capuleti e i Montecchi: Oh! quante volte ti chiedo | Vincenzo Bellini, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | G Minor | 0 | 6A | 78 BPM | ||
Bleibe und hör mich! (Luise Miller) | Trude Eipperle, Kurt Böhme, Josef Herrmann, Chor der Staatsoper Dresden, Georg Hann, Helena Rott, Staatskapelle Dresden, Maria Cebotari, Hans Hopf | D♭ Major | 3 | 3B | 144 BPM | ||
The Bartered Bride: ACT I, Mařenka Kdybych se co takového | Bedřich Smetana, Dana Buresova, Jiří Bělohlávek, BBC Symphony Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni" (Amore) | Christoph Willibald Gluck, Stefan Plewniak, Fatma Said, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Salome op. 54: Wo ist er, dessen Sündenbecher | Richard Strauss, Vienna State Opera Orchestra, Clemens Krauss, Marko Rothmüller, Maria Cebotari, Karl Friedrich | B♭ Major | 2 | 6B | 72 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Finale. "Through the House" | Felix Mendelssohn, Otto Klemperer, Heather Harper, The Philharmonia Chorus, Philharmonia Orchestra | E♭ Major | 2 | 5B | 90 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 1: "Ô toi qui prolongeas mes jours" (Iphigénie) | Christoph Willibald Gluck, Georges Prêtre, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | B♭ Major | 2 | 6B | 95 BPM |
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