"O come, O come, Emmanuel" by Traditional, Choir of Clare College, Cambridge, Graham Ross, Nicolas Haigh, Lois Salem was released on October 28, 2013. With this song being about 5 minutes long, at 5:07, "O come, O come, Emmanuel" by Traditional, Choir of Clare College, Cambridge, Graham Ross, Nicolas Haigh, Lois Salem is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Veni Emmanuel: Music for Advent by Choir of Clare College, Cambridge, Graham Ross, Nicolas Haigh. The song's track number on the album is #23 out of 23 tracks. In terms of popularity, O come, O come, Emmanuel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since O come, O come, Emmanuel by Traditional, Choir of Clare College, Cambridge, Graham Ross, Nicolas Haigh, Lois Salem has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With O come, O come, Emmanuel being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Adoramus te, Christe, LV 1083 | Orlande de Lassus, Pro Musica, Szabó Dénes | F Major | 0 | 7B | 70 BPM | ||
Tallis: Loquebantur Variis Linguis - 2. Repleti Sunt Omnes | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 61 BPM | ||
Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
Cherubic Hymn No. 4 | SOFIA ORTHODOX CHOIR | B♭ Major | 1 | 6B | 79 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Missa Wellensis: IV. Agnus Dei | John Tavener, Wells Cathedral Choir, Matthew Owens | G Minor | 0 | 6A | 0 BPM | ||
Hiraeth | Grace Williams, Edward Witsenburg | E♭ Major | 0 | 5B | 61 BPM |
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