- BPM
- 167
- Key
- B Minor
- Camelot
- 10A
チャイコフスキー:交響曲第6番ロ短調作品74「悲愴」より第4楽章から - Pyotr Ilyich Tchaikovsky, のだめオーケストラ Information
- Acousticness
- 94%
- Danceability
- 9%
- Energy
- 23%
- Instrumentalness
- 87%
- Liveness
- 10%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 8%
- Loudness
- -13.859 dB
Summary
"チャイコフスキー:交響曲第6番ロ短調作品74「悲愴」より第4楽章から" by Pyotr Ilyich Tchaikovsky, のだめオーケストラ was released on December 9, 2009. The duration of チャイコフスキー:交響曲第6番ロ短調作品74「悲愴」より第4楽章から is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. チャイコフスキー:交響曲第6番ロ短調作品74「悲愴」より第4楽章から's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in のだめカンタービレ 最終楽章, so we believe that "チャイコフスキー:交響曲第6番ロ短調作品74「悲愴」より第4楽章から" is a single. The popularity of チャイコフスキー:交響曲第6番ロ短調作品74「悲愴」より第4楽章から is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
チャイコフスキー:交響曲第6番ロ短調作品74「悲愴」より第4楽章から BPM
The tempo marking of チャイコフスキー:交響曲第6番ロ短調作品74「悲愴」より第4楽章から by Pyotr Ilyich Tchaikovsky, のだめオーケストラ is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
チャイコフスキー:交響曲第6番ロ短調作品74「悲愴」より第4楽章から Key
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | |
 | Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | |
 | Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | |
 | Barber: Adagio for Strings | Samuel Barber, Sir Simon Rattle, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 73 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | |
 | Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | |
 | Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | |
 | Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7403585910797119
End: 0.7447981834411621