"Eugene Onegin: Act II: Kuda vy udallis" by Plácido Domingo, Sir Edward Downes was released on September 24, 2009. Since Eugene Onegin: Act II: Kuda vy udallis is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 49 in the song's album "The Tenor". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. In terms of popularity, Eugene Onegin: Act II: Kuda vy udallis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin: Act II: Kuda vy udallis by Plácido Domingo, Sir Edward Downes having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Medley: Mattinata - Wien, Wien, nur du allein - Amapola - 'O sole mio | Ruggero Leoncavallo, Rudolf Sieczynski, Joseph Maria Lacalle, Eduardo di Capua, Alfredo Mazzucchi, José Carreras, Plácido Domingo, Luciano Pavarotti, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | E♭ Major | 4 | 5B | 84 BPM | ||
Luisa Fernanda: Mazurka de las Sombrillas | Federico Moreno Torroba, Plácido Domingo, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Ana Rodrigo | B♭ Major | 2 | 6B | 75 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Rosen aus dem Süden, Op.388 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 181 BPM | ||
"Libiamo, libiamo ne' lieti calici" from La Traviata | Giuseppe Verdi, José Carreras, Agnes Baltsa, Plácido Domingo, London Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Una Furtiva Lagrima (Acto II) - L'Elisir d'Amore | Tito Schipa | B♭ Minor | 1 | 3A | 78 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Medley: Cats - Ochi tchorniye - Caminito - La vie en rose | Andrew Lloyd Webber, Traditional, Louiguy, Juan De Dios Filiberto, José Carreras, Plácido Domingo, Luciano Pavarotti, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | D Minor | 3 | 7A | 91 BPM | ||
Madame Butterfly: Coro a bocca chiusa | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 0 | 6B | 94 BPM | ||
Blue Tango | Leroy Anderson, Cologne West German Radio Orchestra, Pinchas Steinberg | D Major | 2 | 10B | 130 BPM |
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