"It sounded as if the Streets were running: No. 3. How happy is the little Stone" by Jonathan Dove, Convivium Singers, Neil Ferris was released on March 6, 2012. The duration of It sounded as if the Streets were running: No. 3. How happy is the little Stone is about 3 minutes long, at 3:06. Based on our data, "It sounded as if the Streets were running: No. 3. How happy is the little Stone" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 16 in Dove: The Passing of the Year by Jonathan Dove, Convivium Singers, Neil Ferris. Based on our statistics, It sounded as if the Streets were running: No. 3. How happy is the little Stone's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of It sounded as if the Streets were running: No. 3. How happy is the little Stone by Jonathan Dove, Convivium Singers, Neil Ferris is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fünf Gesänge, Op. 104: III. Letztes Glück | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 2 | 7B | 101 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
I Will Lift Mine Eyes | Jake Runestad, Seraphic Fire, Patrick Dupre Quigley | D♭ Major | 1 | 3B | 78 BPM | ||
9 Sacred Pieces: 1. Cherubic Hymn No. 1: "Izhe cheruvim'i" | Pyotr Ilyich Tchaikovsky, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 0 | 7B | 136 BPM | ||
Phos hilaron: II. Phos hilaron | Owain Park, The Gesualdo Six | D Major | 0 | 10B | 82 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Nachtlied | Max Reger, Stephan Lutermann, Vokalconsort Osnabrück | B Minor | 0 | 10A | 130 BPM |
Section: 0.5944619178771973
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