"Catch Me If You Can: II. Mesto" by Michael Berkeley, Berkeley Ensemble, Dominic Grier was released on September 28, 2018. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Winter Fragments: Chamber Music by Michael Berkeley by Michael Berkeley, Fleur Barron, Berkeley Ensemble, Dominic Grier. The song's track number on the album is #2 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Catch Me If You Can: II. Mesto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Catch Me If You Can: II. Mesto by Michael Berkeley, Berkeley Ensemble, Dominic Grier has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Catch Me If You Can: II. Mesto being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler) | Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben Albertson | A♭ Major | 1 | 4B | 142 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Gabriel Schwabe, ORF Vienna Radio Symphony Orchestra, Christopher Ward | B♭ Major | 0 | 6B | 92 BPM | ||
Baa Baa Black Sheep, Act I Scene 4: The Education of Mowgli. I will feed him (Mother Wolf, Father Wolf, Ka, Baloo, Bagheera, Grey Wolf, Mowgli, Chorus) | Michael Berkeley, Paul Daniel, English Northern Philharmonia, George Mosley, Eileen Hulse, Malcolm Lorimer, Mark Holland, Ann Taylor-Morley, Clive Bayley | D Major | 2 | 10B | 109 BPM | ||
Altar de cuerda: I. Morisco chilango | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas | B♭ Major | 5 | 6B | 129 BPM | ||
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM | ||
Soledad (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | E Minor | 1 | 9A | 80 BPM | ||
Jane Eyre, Act I: And are there those in this house who love me? (Rochester, Voice of Mrs. Rochester) | Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Emily Bauer-Jones | A Major | 0 | 11B | 77 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): V. Asturiana | Manuel de Falla, Duo Arnicans | F Minor | 0 | 4A | 105 BPM | ||
5 Pezzi facili: No. 3. Pavana | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | A Minor | 0 | 8A | 79 BPM |
Section: 0.5624895095825195
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