Harrison Birtwistle, Melos Ensemble, Lawrence Foster's 'Birtwistle: Tragoedia: I. Prologue' came out on February 21, 2011. With Birtwistle: Tragoedia: I. Prologue being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Melos Ensemble's "Icon: Melos Ensemble" album is number 8 out of 151. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Birtwistle: Tragoedia: I. Prologue's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Birtwistle: Tragoedia: I. Prologue by Harrison Birtwistle, Melos Ensemble, Lawrence Foster to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
9 Movements for String Quartet: III. Fantasia 2 | Harrison Birtwistle, Arditti Quartet | E Minor | 0 | 9A | 170 BPM | ||
Jubilus | Benet Casablancas, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM | ||
Violin Concerto, Op. 12: I. Andante con moto | Kurt Weill, Henry Raudales, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 2 | 12A | 133 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
Sånger å de Osjungnas Vägnar: II. 100 Osjungna Röster: I | Per Egland, Christian Lindberg, Wermland Opera Orchestra | E♭ Major | 10 | 5B | 89 BPM | ||
Les points cardinaux: II. | Jean-Jacques Charles, Julien Chabod, Pierre Rémondière, Julien Gernay | A Minor | 1 | 8A | 130 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 137 BPM | ||
Messiaen: Éclairs sur l'au-delà...: III. L'oiseau-lyre et la ville-fiancée | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 3 | 6A | 82 BPM | ||
Lindberg: Mandrake in the Corner: II Lento I | Christian Lindberg, ADDA Simfònica | G Major | 0 | 9B | 63 BPM |
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