"Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht" by Gustav Mahler, Thomas Quasthoff, Wiener Philharmoniker, Pierre Boulez was released on January 1, 2004. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gustav Mahler, Violeta Urmana, Anne Sofie von Otter, Thomas Quasthoff's "Mahler: Song Cycles" album is number 1 out of 14. Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht by Gustav Mahler, Thomas Quasthoff, Wiener Philharmoniker, Pierre Boulez to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Dir, der Unberührbaren - Du schwebst zu Höhen | Gustav Mahler, Leah Crocetto, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | E Major | 2 | 12B | 76 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Symphony No. 2 in C Minor "Resurrection": II. Andante moderato | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Tempo sostenuto | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F Minor | 1 | 4A | 106 BPM | ||
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | G Major | 0 | 9B | 84 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Die du großen Sünderinnen | Gustav Mahler, Tamara Wilson, Mihoko Fujimura, Tamara Mumford, Los Angeles Philharmonic, Gustavo Dudamel | A Minor | 1 | 8A | 84 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM |
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