Cyrille Rose, John Walker, Christopher Hill and John Walker made "Etude No. 20 in g" available on January 1, 2006. With Etude No. 20 in g being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Rose Etudes". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Etude No. 20 in g is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Etude No. 20 in g by Cyrille Rose, John Walker, Christopher Hill and John Walker having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) | Charles Koechlin, Toon Fret, Veronika Iltchenko | A Minor | 0 | 8A | 74 BPM | ||
Malta Suite for Clarinet and Piano: III. Il Kapcipa | Charles Camilleri, David Campbell, Julian Jacobson | A Minor | 2 | 8A | 139 BPM | ||
Songs of a Wayfarer | Gustav Mahler, Martin Smith, Catherine Milledge | D♭ Major | 0 | 3B | 72 BPM | ||
Piano Concerto No. 2 in C Minor: III. Andante | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A Minor | 1 | 8A | 91 BPM | ||
Symphony No.4 in D minor, Op.120 (1841): II. Romanza: Andante | Robert Schumann, Bucharest Symphony Orchestra, John Axelrod | A Minor | 0 | 8A | 112 BPM | ||
Etude No. 18 in B-flat | Cyrille Rose, John Walker, Christopher Hill and John Walker | A♭ Major | 2 | 4B | 124 BPM | ||
Suite de trois morceaux, Op. 116 (Arr. for Flute & String Sextet): III. Valse | Benjamin Godard, Nathanael Carré, Ensemble Nuanz | G Major | 0 | 9B | 179 BPM | ||
Romanian Folk Dances, Sz. 68: No. 3, Pe loc | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM |
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