Gioachino Rossini, Joyce DiDonato, Jose Manuel Zapata, Paolo Bordogna, Bruno Pratico, Patrizia Cigna, Martina Borst, Luca Pisaroni, Marco Bellei, Prague Chamber Chorus, SWR Symphony Orchestra, Alberto Zedda made "La Cenerentola (Cinderella): Act I Scene 1: Recitative - Allegrissimamante (Dandini, Clorinda, Magnifico, Ramiro, Tisbe)" available on September 1, 2005. The duration of La Cenerentola (Cinderella): Act I Scene 1: Recitative - Allegrissimamante (Dandini, Clorinda, Magnifico, Ramiro, Tisbe) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. La Cenerentola (Cinderella): Act I Scene 1: Recitative - Allegrissimamante (Dandini, Clorinda, Magnifico, Ramiro, Tisbe)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Rossini: Cenerentola (La) (Cinderella)". In this album, this song's track order is #9. La Cenerentola (Cinderella): Act I Scene 1: Recitative - Allegrissimamante (Dandini, Clorinda, Magnifico, Ramiro, Tisbe) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With La Cenerentola (Cinderella): Act I Scene 1: Recitative - Allegrissimamante (Dandini, Clorinda, Magnifico, Ramiro, Tisbe) by Gioachino Rossini, Joyce DiDonato, Jose Manuel Zapata, Paolo Bordogna, Bruno Pratico, Patrizia Cigna, Martina Borst, Luca Pisaroni, Marco Bellei, Prague Chamber Chorus, SWR Symphony Orchestra, Alberto Zedda having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Die Walküre / Erster Aufzug: Orchestervorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Minor | 3 | 7A | 113 BPM | ||
Il Barbiere di Siviglia: Se il mio nome saper voi bramate - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | F Major | 2 | 7B | 118 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | C Minor | 1 | 5A | 86 BPM | ||
La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto | Gioachino Rossini, Cecilia Bartoli, Enzo Dara, Alessandro Corbelli, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Allelujah | Camerata Academia, Ernst Hinreiner | F Major | 1 | 7B | 122 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 4. Allegro vivacissimo - Allegro maestoso assai - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A Minor | 1 | 8A | 114 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM |
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