Oblivion - Astor Piazzolla Information

Acousticness
92%
Danceability
16%
Energy
35%
Instrumentalness
1%
Liveness
24%
Loudness
84%
Speechiness
4%
Valence
8%
Popularity
Loudness
-9.369 dB

Summary

"Oblivion" by Astor Piazzolla was released on 2003. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Piazzolla Tangos 6". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Argentina. The popularity of Oblivion is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Oblivion BPM

With Oblivion by Astor Piazzolla having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Oblivion Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concierto de Aranjuez: II. Adagio [Excerpt] by Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of EuropeConcierto de Aranjuez: II. Adagio [Excerpt]Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of EuropeB Minor010A76 BPM
Bahia Blanca by TanghettoBahia BlancaTanghettoF♯ Minor511A115 BPM
Erbarme dich, mein Gott (From the St. Matthew Passion) by Johann Sebastian Bach, Eugen CiceroErbarme dich, mein Gott (From the St. Matthew Passion)Johann Sebastian Bach, Eugen CiceroE Minor39A136 BPM
Jazz Suite No. 2: 6. Waltz II by Dmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyJazz Suite No. 2: 6. Waltz IIDmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyC Minor25A89 BPM
Oblivion by QuartangoOblivionQuartangoA Minor38A122 BPM
Mas que nada (arr.Walter Despalj) by Die 12 Cellisten der Berliner PhilharmonikerMas que nada (arr.Walter Despalj)Die 12 Cellisten der Berliner PhilharmonikerE Minor19A91 BPM
Desde el alma by Juan D'ArienzoDesde el almaJuan D'ArienzoG Major49B97 BPM
Love Is Here To Stay by George Gershwin, Zubin Mehta, New York PhilharmonicLove Is Here To StayGeorge Gershwin, Zubin Mehta, New York PhilharmonicF Major17B109 BPM
Valse de l’Eden Cinéma [Foutaises] by Carlos D'AlessioValse de l’Eden Cinéma [Foutaises]Carlos D'AlessioC Minor25A99 BPM
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) by Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double SensLes Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar)Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double SensD Major010B73 BPM
ISRC
ARF310500025
Label
L-M Records/RCA Records

Section: 0.6446952819824219

End: 0.650399923324585