"Oblivion" by Astor Piazzolla was released on 2003. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Piazzolla Tangos 6". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Argentina. The popularity of Oblivion is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oblivion by Astor Piazzolla having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Bahia Blanca | Tanghetto | F♯ Minor | 5 | 11A | 115 BPM | ||
Erbarme dich, mein Gott (From the St. Matthew Passion) | Johann Sebastian Bach, Eugen Cicero | E Minor | 3 | 9A | 136 BPM | ||
Jazz Suite No. 2: 6. Waltz II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 2 | 5A | 89 BPM | ||
Oblivion | Quartango | A Minor | 3 | 8A | 122 BPM | ||
Mas que nada (arr.Walter Despalj) | Die 12 Cellisten der Berliner Philharmoniker | E Minor | 1 | 9A | 91 BPM | ||
Desde el alma | Juan D'Arienzo | G Major | 4 | 9B | 97 BPM | ||
Love Is Here To Stay | George Gershwin, Zubin Mehta, New York Philharmonic | F Major | 1 | 7B | 109 BPM | ||
Valse de l’Eden Cinéma [Foutaises] | Carlos D'Alessio | C Minor | 2 | 5A | 99 BPM | ||
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM |
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