Cologne Chamber Orchestra, Gerald Hambitzer, Robert Shaw, Robert Hill, Christoph Anselm Noll, Johann Sebastian Bach's 'Concerto For 4 Harpsichords in A Minor, BWV 1065: II. Adagio' came out on September 20, 2000. The duration of Concerto For 4 Harpsichords in A Minor, BWV 1065: II. Adagio is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Concerto For 4 Harpsichords in A Minor, BWV 1065: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cologne Chamber Orchestra's "Johann Sebastian Bach: Harpsichord Concertos III" album is number 14 out of 15. Concerto For 4 Harpsichords in A Minor, BWV 1065: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto For 4 Harpsichords in A Minor, BWV 1065: II. Adagio by Cologne Chamber Orchestra, Gerald Hambitzer, Robert Shaw, Robert Hill, Christoph Anselm Noll, Johann Sebastian Bach to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate en Sol Mineur, Op. 1 No. 3: IV. Giga | Jean-François Dandrieu, Le Consort, Justin Taylor | F♯ Minor | 5 | 11A | 139 BPM | ||
Serenade No. 5 in D Major, Op. 53: I. Adagio con espressione | Robert Fuchs, Cologne Chamber Orchestra, Christian Ludwig | A Major | 1 | 11B | 112 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Symphony No. 34 in C Major, KV 338: II. Andante di molto (più tosto Allegretto) | Wolfgang Amadeus Mozart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F Major | 0 | 7B | 90 BPM | ||
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM |
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