"Der fliegende Holländer, WWV 63 / Act 2: "Bleib, Senta!...Auf hohem Felsen"" by Richard Wagner, René Kollo, Janis Martin, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 2012. Der fliegende Holländer, WWV 63 / Act 2: "Bleib, Senta!...Auf hohem Felsen" appears to be safe for all ages as it is not explicit. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #3. Der fliegende Holländer, WWV 63 / Act 2: "Bleib, Senta!...Auf hohem Felsen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der fliegende Holländer, WWV 63 / Act 2: "Bleib, Senta!...Auf hohem Felsen" by Richard Wagner, René Kollo, Janis Martin, Chicago Symphony Orchestra, Sir Georg Solti having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers | Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 3 | 11B | 176 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Parsifal, WWV 111 / Act I: He! Ho! Waldhüter ihr | Richard Wagner, Marjon Lambriks, Dunja Vejzovic, Anne Gjevang, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 128 BPM | ||
Siegfried / Erster Aufzug: Vorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 112 BPM | ||
Das Liebesverbot, WWV 38, Act I: Act I: Wohlan, so rede! (Friedrich, Isabella) | Richard Wagner, Raimund Grumbach, Marianne Seibel, Hermann Sapell, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Hermann Prey, Wolfgang Fassler, Robert Schunk, Friedrich Lenz, Kieth Engen, Sabine Hass, Pamela Coburn, Alfred Kuhn, Wolfgang Sawallisch | B♭ Major | 3 | 6B | 69 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
Turandot / Act 1: "Ah! Per L'Ultima Volta" | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 170 BPM |
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