"Siegfried / Erster Aufzug: Vorspiel" by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Siegfried / Erster Aufzug: Vorspiel is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Siegfried / Erster Aufzug: Vorspiel by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Romeo and Juliet, Op. 64 - Act 2: Dance Of the Five Couples | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 2 | 7B | 89 BPM | ||
Petite Suite, WD 39: No. 5. Galop: Le bal | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | A Major | 5 | 11B | 99 BPM | ||
Die Walküre / Dritter Aufzug: "Hier bin ich, Vater" | Richard Wagner, Birgit Nilsson, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | F Major | 1 | 7B | 125 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Wo die Zitronen blüh'n, Walzer, Op. 364 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | G Major | 1 | 9B | 95 BPM |
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