"Traditional: All Through the Night (Ar Hyd Y Nos)" by Traditional, Treorchy Male Voice Choir, J.H. Davies was released on 1999. The duration of Traditional: All Through the Night (Ar Hyd Y Nos) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Traditional: All Through the Night (Ar Hyd Y Nos)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The World of Wales in Song". In this album, this song's track order is #11. Traditional: All Through the Night (Ar Hyd Y Nos) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Traditional: All Through the Night (Ar Hyd Y Nos) by Traditional, Treorchy Male Voice Choir, J.H. Davies having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM | ||
Traditional: La canzone di Cecilia (Arr. Pluhar) | Traditional, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | C Minor | 0 | 5A | 145 BPM | ||
Flight Song | Kim André Arnesen, Kantorei, Alicia Rigsby, Joel Rinsema | D♭ Major | 0 | 3B | 91 BPM | ||
Kontakion of the Mother of God (Mode Plagal IV) | Medieval Byzantine Chant, Cappella Romana | F Major | 2 | 7B | 70 BPM | ||
Les buffons | Jean d'Estrée, Baltimore Consort | C Major | 2 | 8B | 117 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
A Winter Road, Op. 42, No. 2 | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 78 BPM | ||
Protect Thy People, O Lord | Dominican House of Studies | E Minor | 2 | 9A | 88 BPM | ||
Pange Lingua Gloriosi, Sing of Glory | Harry Hagan OSB | C Major | 1 | 8B | 127 BPM |
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