Jean-Baptiste Lully, Carolyn Sampson, Karina Gauvin, Aaron Sheehan, Colin Balzer, Amanda Forsythe, Mireille Lebel, Yulia van Doren, Olivier Laquerre, Jason McStoots, Matthew Shaw, Aaron Engebreth, Ricard Bordas, Teresa Wakim, Jose Lemos, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette, Stephen Stubbs's 'Psyche: Act I Scene 2: Italian Lament' came out on January 1, 2008. With Psyche: Act I Scene 2: Italian Lament being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Lully: Psyché" album is number 14 out of 74. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Psyche: Act I Scene 2: Italian Lament is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psyche: Act I Scene 2: Italian Lament by Jean-Baptiste Lully, Carolyn Sampson, Karina Gauvin, Aaron Sheehan, Colin Balzer, Amanda Forsythe, Mireille Lebel, Yulia van Doren, Olivier Laquerre, Jason McStoots, Matthew Shaw, Aaron Engebreth, Ricard Bordas, Teresa Wakim, Jose Lemos, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette, Stephen Stubbs to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Act IV Scene 1: Nous ne trouvons partout (Ubalde, le Chevalier danois) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Virgile Ancely, David Tricou | F Major | 1 | 7B | 139 BPM | ||
Armide, LWV 71, Prologue: Que dans le temple de mémoire | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der Goltz | B♭ Minor | 1 | 3A | 69 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Trio Sonata in F Major, HWV 392: IV. Allegro assai | George Frideric Handel, The Brook Street Band | E Major | 4 | 12B | 144 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM |
Section: 0.5738165378570557
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