"The Love for Three Oranges Suite, Op. 33bis: III. March (arr. for brass ensemble)" by Sergei Prokofiev, Fisher Tull, HR Brass, Lutz Kohler was released on January 1, 2000. With The Love for Three Oranges Suite, Op. 33bis: III. March (arr. for brass ensemble) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in HR Brass, Lutz Kohler's "Hr Brass: Marches" album is number 1 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Love for Three Oranges Suite, Op. 33bis: III. March (arr. for brass ensemble) is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of The Love for Three Oranges Suite, Op. 33bis: III. March (arr. for brass ensemble) by Sergei Prokofiev, Fisher Tull, HR Brass, Lutz Kohler to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
String Quartet No. 2 "Intimate Letters": String Quartet No. 2 "Intimate Letters": II. Adagio. Vivace | Leoš Janáček, Melos Quartet | D♭ Major | 2 | 3B | 78 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Le Carnaval des Animaux, R. 125: 7. Aquarium | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | A Minor | 0 | 8A | 136 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM |
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