David Alagna, Orchestre national d'île-de-France, Michel Plasson's 'Le dernier jour d'un condamné: (Intermezzo)' had a release date set for January 1, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 1 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné: (Intermezzo) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le dernier jour d'un condamné: (Intermezzo) by David Alagna, Orchestre national d'île-de-France, Michel Plasson to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hey Mother | Alvarotti | G Major | 5 | 9B | 93 BPM | ||
Brucia la terra | Giovanni Rota, Div4s | C Minor | 3 | 5A | 90 BPM | ||
Solstice d'hiver | Mathieu Lamboley, Orchestre national d'île-de-France | C Major | 1 | 8B | 144 BPM | ||
Let Me Fall | Martin Hurkens | A Minor | 5 | 8A | 130 BPM | ||
La forza del destino, Act IV, Scene II: Pace, pace, mio Dio | Giuseppe Verdi, Dinara Alieva, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
La Boheme, vierter Akt: Sono andati fingevo di dormire | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Le dernier jour d'un condamné / Acte I: Interlude | David Alagna, Orchestre national d'île-de-France, Michel Plasson | D Minor | 0 | 7A | 70 BPM | ||
Destiny | Claire Layden | F♯ Major | 5 | 2B | 73 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): VI. Spleen | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM |