Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds
Erik Satie, Jean-Yves Thibaudet
Satie Snowfall
0:34 January 5, 2021
BPM
147
Key
C Major
Camelot
8B

Embed

Share Link

Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds - Erik Satie, Jean-Yves Thibaudet Information

Acousticness
99%
Danceability
34%
Energy
17%
Instrumentalness
92%
Liveness
12%
Loudness
59%
Speechiness
5%
Valence
69%
Popularity
Loudness
-24.622 dB

Summary

Erik Satie, Jean-Yves Thibaudet made "Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds" available on January 5, 2021. With Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 246 in the song's album "Satie Snowfall". In this album, this song's track order is #24. Based on our statistics, Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds BPM

With Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds by Erik Satie, Jean-Yves Thibaudet having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Pecadilles importunes: Profiter de ce qu'il a des cors aux pieds Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
WHEN THE GRASS WAS GREENER / Nino Rota: Valzer by Nino Rota, Alice Sara OttWHEN THE GRASS WAS GREENER / Nino Rota: ValzerNino Rota, Alice Sara OttE Major112B71 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78Felix Mendelssohn, Jan LisieckiG Minor06A168 BPM
Debussy - Arabesque by Martin BlochDebussy - ArabesqueMartin BlochE Major012B68 BPM
VI. June. Barcarolle by Pyotr Ilyich Tchaikovsky, Mikhail PletnevVI. June. BarcarollePyotr Ilyich Tchaikovsky, Mikhail PletnevG Minor06A69 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) by Sergei Rachmaninoff, Sergei Babayan12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)Sergei Rachmaninoff, Sergei BabayanA♭ Major04B78 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 2 in F Major, Op. 102: II. AndanteDmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoC Minor05A77 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] by Franz Liszt, Joseph Banowetz6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]Franz Liszt, Joseph BanowetzG Minor06A96 BPM
Erik Satie: Gymnopédie No. 1 by Pyotr GodunovErik Satie: Gymnopédie No. 1Pyotr GodunovG Major19B69 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin) by Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxElégie in C Minor, Op. 24 (Arr. Parkin)Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxA♭ Major04B88 BPM
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante by Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan SternfieldCello Sonata No. 1 in D Minor, Op. 109: II. AndanteGabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan SternfieldE♭ Major15B120 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6936943531036377

End: 0.6980464458465576