Kurt Weill, tenThing made "Suite from Die Dreigroschenoper (The Three Penny Opera): 4. Ballad of the Easy Life" available on April 16, 2011. The duration of Suite from Die Dreigroschenoper (The Three Penny Opera): 4. Ballad of the Easy Life is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Suite from Die Dreigroschenoper (The Three Penny Opera): 4. Ballad of the Easy Life's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 10, so we believe that "Suite from Die Dreigroschenoper (The Three Penny Opera): 4. Ballad of the Easy Life" is a single. The popularity of Suite from Die Dreigroschenoper (The Three Penny Opera): 4. Ballad of the Easy Life is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suite from Die Dreigroschenoper (The Three Penny Opera): 4. Ballad of the Easy Life by Kurt Weill, tenThing is Presto (very, very fast), since this song has a tempo of 185 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je t‘aime (Les Trois Valses) | Oscar Straus, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira | Darius Milhaud, Jean-Marc Fessard, Eliane Reyes | D Minor | 3 | 7A | 138 BPM | ||
Histoire du Soldat, Pt. 1: Marche du soldat | Igor Stravinsky, Sergio Azzolini, Daniel Breszynski, Michel Cerutti, Shlomo Mintz, Vincent Pasquier, Pascal Moraguès, Marc Bauer | F♯ Major | 4 | 2B | 155 BPM | ||
Petite Messe solennelle: I. Kyrie eleison - Christe eleison | Gioachino Rossini, Bavarian Radio Chorus, Tal & Groethuysen | C Major | 1 | 8B | 65 BPM | ||
Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
Swing On Beethoven | Philharmonix | C Minor | 1 | 5A | 75 BPM | ||
The Girl from Corsica | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | G Minor | 1 | 6A | 68 BPM | ||
Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM |
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