"Piano Concerto in C Minor, Op. 43: II. Notturno. Andante" by Otto Malling, Amalie Malling, Danish Radio Sinfonietta, Petter Sundkvist was released on May 28, 1999. Since Piano Concerto in C Minor, Op. 43: II. Notturno. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Otto Malling's "Malling, O.: Piano Concerto" album is number 2 out of 7. In terms of popularity, Piano Concerto in C Minor, Op. 43: II. Notturno. Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto in C Minor, Op. 43: II. Notturno. Andante by Otto Malling, Amalie Malling, Danish Radio Sinfonietta, Petter Sundkvist to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert Suite from the opera 'The Golden Cockerel': 2. King Dodon on the battlefield | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 0 | 3B | 115 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Requiem in D Minor, K. 626 (Arr. for Piano 4-Hands by C. Czerny): IIIc. Sequentia: Rex tremendae | Wolfgang Amadeus Mozart, Jürgen Appell, Kerstin Straßburg | D Minor | 1 | 7A | 99 BPM | ||
Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto | Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle | C Minor | 2 | 5A | 89 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 7. Grazioso | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Nocturne No. 5 in B-Flat Major, Op. 37 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Tippett: Concerto for Double String Orchestra: I. Allegro con brio | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
6 Romances, Op. 39 (Transcr. D. Müller-Schott for Cello & Piano): No. 2, Dulgt kjærlighed. Lento | Edvard Grieg, Daniel Müller-Schott, Herbert Schuch | A♭ Major | 0 | 4B | 135 BPM | ||
Septet in E-Flat Major, Op. 65: I. Préambule. Allegro moderato – Più allegro | Camille Saint-Saëns, Nash Ensemble | F Minor | 0 | 4A | 96 BPM |
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