Guo Tai Gong, Shanghai Philharmonic Orchestra, Yong-ji Wang's 'Cuckoo Mountains: The Standard of Revolt Has Risen and Fallen Three Times In Cuckoo Mountains' had a release date set for January 1, 1994. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Guo Tai Gong, Yong-ji Wang, Shanghai Philharmonic Orchestra's "Gong: Cuckoo Mountains - Beijing Opera Symphonic Suite" album is number 13 out of 17. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Cuckoo Mountains: The Standard of Revolt Has Risen and Fallen Three Times In Cuckoo Mountains is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cuckoo Mountains: The Standard of Revolt Has Risen and Fallen Three Times In Cuckoo Mountains by Guo Tai Gong, Shanghai Philharmonic Orchestra, Yong-ji Wang to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
crazy | ismet cerepi | F Minor | 1 | 4A | 114 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 7, Wie von Anfang | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
世界名曲:第五號匈牙利舞曲 | 蔡榮吉, 李淑雲, 吳爾笠 | G Minor | 2 | 6A | 149 BPM | ||
Victory from the Mountain Top | Vintage Realm | A♭ Minor | 2 | 1A | 120 BPM | ||
Memories of the Streets | Dany Safari | G Major | 1 | 9B | 142 BPM | ||
Sonate pour flûte et piano, FP 164: III. Presto giocoso | Francis Poulenc, Mathilde Calderini, Aurèle Marthan | A Major | 3 | 11B | 82 BPM | ||
Visitors On Main | Byron McKay | G Major | 1 | 9B | 142 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
100 Folk-tunes from Hardanger, Op. 151: Suite No. 1: Langeleik Tune | Geirr Tveitt, Iceland Symphony Orchestra, Bjarte Engeset | E Minor | 1 | 9A | 168 BPM | ||
Hungarian Dance No. 21 in E Minor, WoO1 | Johannes Brahms, London Symphony Orchestra, Sir Charles Mackerras | B Minor | 6 | 10A | 76 BPM |