"Cinco Piezas: IV. Tristón" by Astor Piazzolla, Pauline Oostenrijk, Enno Voorhorst was released on September 1, 2017. With this song being about 5 minutes long, at 4:59, "Cinco Piezas: IV. Tristón" by Astor Piazzolla, Pauline Oostenrijk, Enno Voorhorst is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pauline Oostenrijk, Enno Voorhorst's "Modinha" album is number 6 out of 17. On top of that, Netherlands appears to be the country where this track was created. Cinco Piezas: IV. Tristón is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cinco Piezas: IV. Tristón by Astor Piazzolla, Pauline Oostenrijk, Enno Voorhorst to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Siete de Abril | Bryce Dessner | C Minor | 3 | 5A | 188 BPM | ||
Manhã de carnaval | Luiz Bonfá, Gerald Garcia | G Major | 1 | 9B | 83 BPM | ||
La Paloma | Sebastián Iradier, The Tango Project | D Major | 1 | 10B | 85 BPM | ||
Oblivion | Astor Piazzolla, Quartetto Suarez Paz, Fernando Suárez Paz, Cesare Chiacchiaretta, Marco Colacioppo, Enrico Fagone | G Minor | 5 | 6A | 155 BPM | ||
Introducción al Danzón No. 2 - Danzón No. 2 | Arturo Márquez, The Impossible Orchestra, Alondra de la Parra | D Minor | 2 | 7A | 120 BPM | ||
Volvio Una Noche | Hugo Díaz | A Minor | 3 | 8A | 102 BPM | ||
Kállai kettös | Zoltán Kodály, Lakatos | E Minor | 5 | 9A | 101 BPM | ||
Último Tango En Buenos Aires | Rubén Juárez | E Minor | 4 | 9A | 101 BPM | ||
La cumparsita | Juan D'Arienzo | G Minor | 3 | 6A | 135 BPM | ||
Nocturne No. 20 In C-Sharp Minor, Op. Posth. | Jacques Loussier | F♯ Minor | 1 | 11A | 117 BPM |
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