George Frideric Handel, Concertgebouw Chamber Orchestra, Simon Preston made "Water Music Suite No. 2 in D, HWV 349: 12. Alla Hornpipe" available on May 1, 1991. The duration of Water Music Suite No. 2 in D, HWV 349: 12. Alla Hornpipe is about 3 minutes long, at 3:15. Based on our data, "Water Music Suite No. 2 in D, HWV 349: 12. Alla Hornpipe" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Simon Preston, Concertgebouw Chamber Orchestra's "Handel: Water Music; Music For The Royal Fireworks" album is number 12 out of 25. In terms of popularity, Water Music Suite No. 2 in D, HWV 349: 12. Alla Hornpipe is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Water Music Suite No. 2 in D, HWV 349: 12. Alla Hornpipe by George Frideric Handel, Concertgebouw Chamber Orchestra, Simon Preston to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lord is My Shepherd (Psalm 23) - Theme from the Vicar of Dibley | Howard Goodall, The Choirboys | E Minor | 2 | 9A | 68 BPM | ||
Symphony No.5 in F minor, Op.42 No.1 for Organ: Toccata | Charles-Marie Widor, Peter Hurford | F Major | 3 | 7B | 102 BPM | ||
The Nutcracker, Op. 71: No. 12, Divertissement: Dance of the Flutes | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | D Major | 0 | 10B | 127 BPM | ||
Messiah, HWV 56: Part 2: Hallelujah (Chorus) | Nikolaus Harnoncourt | D♭ Major | 3 | 3B | 86 BPM | ||
5 Traditional Songs: No. 2. O waly, waly | John Rutter, The Cambridge Singers | A♭ Major | 0 | 4B | 136 BPM | ||
Messiah, HWV 56, Pt. 2 Scene 7: No. 44, Hallelujah (Chorus) | George Frideric Handel, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | D Major | 4 | 10B | 112 BPM | ||
Thaïs, Act 2 Méditation | Jules Massenet, Gil Sharon, Idith Zvi | G Major | 5 | 9B | 91 BPM | ||
Love Came | Peter Gregson | C Major | 0 | 8B | 136 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 1 | 2B | 98 BPM |
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