"Gavotte" by Jean-Baptiste Lully, Yeonsun Joo, Jay JungJae Moon was released on April 2, 2021. The duration of Gavotte is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Gavotte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Romantique - Yeonsun Joo, Cello". In this album, this song's track order is #4. Furthermore, we believe that the track originated from South Korea. Gavotte is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gavotte by Jean-Baptiste Lully, Yeonsun Joo, Jay JungJae Moon having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Acis & Galatée / Act 2: Quelque fureur qui l'inspire | Jean-Baptiste Lully, Françoise Masset, Véronique Gens, Les Musiciens du Louvre, Marc Minkowski | G Major | 2 | 9B | 149 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
8 Pieces, Op. 83 (Arr. for Violin, Viola & Piano): No. 2, Allegro con moto | Max Bruch, Natalia Lomeiko, Yuri Zhislin, Ivan Martin | B Minor | 1 | 10A | 102 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Prélude "Que les mortels se réjouissent" | Jean-Baptiste Lully, Christophe Rousset, Benoit Arnould, Les Talens Lyriques, Chœur De Chambre De Namur | B♭ Major | 4 | 6B | 104 BPM | ||
Gavotte en rondeau (based on Lully’s Les ballets du roi) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | D Minor | 0 | 7A | 120 BPM | ||
Les Airs de Trompettes, Timbales et Hautbois: 2. Menuet | Jean-Baptiste Lully, Adolf Scherbaum, Orchestre de Chambre Paul Kuentz, Paul Kuentz | F Major | 3 | 7B | 129 BPM | ||
Bach, J.S.: Solo Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto | Johann Sebastian Bach, Itzhak Perlman | G Minor | 3 | 6A | 94 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
La Bocanne primitive | Jacques Cordier, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 103 BPM |
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