- BPM
- 120
- Key
- D Minor
- Camelot
- 7A
Gavotte en rondeau (based on Lully’s Les ballets du roi) - Philippe Gaubert, Fenwick Smith, Sally Pinkas Information
- Acousticness
- 99%
- Danceability
- 44%
- Energy
- 4%
- Instrumentalness
- 91%
- Liveness
- 5%
- Loudness
- 56%
- Speechiness
- 7%
- Valence
- 39%
- Popularity
- 11%
- Loudness
- -26.256 dB
Summary
Philippe Gaubert, Fenwick Smith, Sally Pinkas's 'Gavotte en rondeau (based on Lully’s Les ballets du roi)' came out on March 21, 2006. The duration of Gavotte en rondeau (based on Lully’s Les ballets du roi) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Gavotte en rondeau (based on Lully’s Les ballets du roi)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philippe Gaubert's "Gaubert: Works for Flute, Vol. 3" album is number 15 out of 24. Based on our statistics, Gavotte en rondeau (based on Lully’s Les ballets du roi)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Gavotte en rondeau (based on Lully’s Les ballets du roi) BPM
We consider the tempo marking of Gavotte en rondeau (based on Lully’s Les ballets du roi) by Philippe Gaubert, Fenwick Smith, Sally Pinkas to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Gavotte en rondeau (based on Lully’s Les ballets du roi) Key
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Recuerdos de Capiz | Julio Nakpil, Sally Pinkas | E♭ Major | 1 | 5B | 88 BPM | |
 | Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Céline Moinet, Florian Uhlig | G Major | 2 | 9B | 116 BPM | |
 | Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | |
 | Flute Sonata in A Minor, Wq. 132, H. 562: II. Allegro | Carl Philipp Emanuel Bach, Emmanuel Pahud | A Minor | 0 | 8A | 106 BPM | |
 | Sonata, Op. 61, WV 86: I. Andante con moto - subito più mosso | Erwin Schulhoff, Fenwick Smith, Mark Ludwig, Edwin Barker | C Major | 0 | 8B | 85 BPM | |
 | 4 Esquisses: No. 4. La-bas, tres loin, sur la mer | Philippe Gaubert, Jean-Marc Phillips-Varjabédian, Marie-Josèphe Jude | D♭ Major | 1 | 3B | 85 BPM | |
 | Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | |
 | Rêverie | Claude Debussy, Julian Cawdrey, Pierre-Michel Vigneau | D Minor | 1 | 7A | 84 BPM | |
 | Suite in 3 Movements, Op. 116: I. Allegretto | Benjamin Godard, Kenneth Smith, Paul Rhodes | B♭ Major | 1 | 6B | 92 BPM | |
| Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0495262145996094
End: 1.0531206130981445