"Piano Sonata No. 1, Op. 10: I. Molto agitato" by Viktor Ullmann, Maria Garzón had its release date on December 18, 2017. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. This song is part of Viktor Ullmann: Piano Sonatas 1 - 3 by Viktor Ullmann, Maria Garzón. The song's track number on the album is #1 out of 20 tracks. Piano Sonata No. 1, Op. 10: I. Molto agitato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Piano Sonata No. 1, Op. 10: I. Molto agitato by Viktor Ullmann, Maria Garzón has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Piano Sonata No. 1, Op. 10: I. Molto agitato being at 63 BPM, the half-time would be 32 BPM with a double-time of 126 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Five Elizabethan Songs: II. Tears | Ivor Gurney, Jodie Devos, Nicolas Krüger | D♭ Minor | 0 | 12A | 79 BPM | ||
Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Fünf, sechs, sieben, acht - Nicht dran denken (Live at Prinzregenten Theater, Munich 10/10/2021) | Viktor Ullmann, Christel Loetzsch, Johannes Chum, Adrian Eröd, Munich Radio Orchestra, Patrick Hahn | F Major | 1 | 7B | 77 BPM | ||
Symphony No. 9 in D Major: II. Ländler: No. 7, Tempo I. Subito | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Der Kaiser von Atlantis, Op. 49b: Hallo, hallo, der oberste General | Viktor Ullmann, Pierre-Yves Pruvot, Wassyl Slipak, Orchestre Musique des Lumières, Facundo Agudin | A Major | 5 | 11B | 88 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
carino es hola de un poco de ruido | mantekito loko | D Minor | 1 | 7A | 120 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Sauguet: Tableaux de Paris: V. Le canal Saint-Martin | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM |