"Pasacalles" by Traditional, Lucas Ruiz de Ribayaz, The Harp Consort, Andrew Lawrence-King was released on December 19, 1994. The duration of Pasacalles is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Pasacalles's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Traditional, Lucas Ruiz de Ribayaz, The Harp Consort, Andrew Lawrence-King's "Luz Y Norte" album is number 1 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pasacalles is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pasacalles by Traditional, Lucas Ruiz de Ribayaz, The Harp Consort, Andrew Lawrence-King to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elizabeth and Essex - The Earl of Essex's Galliard | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 94 BPM | ||
Pavin of Albarti | Innocentio Alberti, The Rose Consort Of Viols | E Major | 0 | 12B | 78 BPM | ||
Tastar da Corde | Eduardo Paniagua | G Minor | 1 | 6A | 137 BPM | ||
Cantiga No. 10, "Rosa das rosas": Instrumental (CSM 259) | Alfonso X El Sabio, Unicorn Ensemble | F Major | 1 | 7B | 119 BPM | ||
Fantasy For 2 Trebles And Bass (From "The Broken Consort") | Matthew Locke, John Holloway, Monika Baer, Martin Zeller | B Major | 1 | 1B | 105 BPM | ||
A Fancy | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 82 BPM | ||
Canarios | Gaspar Sanz, Pierre Pitzl | D♭ Major | 1 | 3B | 103 BPM | ||
Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
Prelude in D Major: The Division-Violist: Prelude | Christopher Simpson, John Dornenburg | D♭ Minor | 0 | 12A | 79 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 1 | 8B | 104 BPM |
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