George Frideric Handel, Academy of Ancient Music, Christopher Hogwood made "Water Music Suite No.1 in F, HWV 348: 6. Minuet for the French Horn" available on January 1, 1997. The duration of Water Music Suite No.1 in F, HWV 348: 6. Minuet for the French Horn is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Water Music Suite No.1 in F, HWV 348: 6. Minuet for the French Horn's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Academy of Ancient Music, Christopher Hogwood's "Handel: Water Music/Music for the Royal Fireworks etc." album is number 6 out of 51. Based on our statistics, Water Music Suite No.1 in F, HWV 348: 6. Minuet for the French Horn's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Water Music Suite No.1 in F, HWV 348: 6. Minuet for the French Horn by George Frideric Handel, Academy of Ancient Music, Christopher Hogwood to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 in B flat Major: 2. Moderato e dolce | William Boyce, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 88 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
Let the Bright Seraphim from Samson, HWV 57 - Voice | George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | D Major | 1 | 10B | 103 BPM | ||
Konzert für Violoncello, Streicher & Basso continuo g-moll: III. Allegro non tanto | Georg Matthias Monn, Balázs Máté/Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Minor | 2 | 11A | 127 BPM | ||
Keyboard Concerto in F Major, Hob.XVIII:7: II. Adagio | Joseph Haydn, Ketil Haugsand, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Major | 2 | 9B | 157 BPM | ||
Concerto a 5 in D, Op.7, No.1 for Strings and Continuo: 1. (Allegro) | Tomaso Albinoni, I Musici | D Major | 3 | 10B | 108 BPM | ||
Partie (Suite) In G Major, P 450: 7. Gigue | Johann Pachelbel, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 71 BPM | ||
Concerto Grosso in D Major, Op. 6, No. 1: II. Allegro | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | F Major | 0 | 7B | 72 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: I. Allegro | Pietro Locatelli, Capella Istropolitana | D Major | 3 | 10B | 136 BPM | ||
Dixit Dominus, HWV 232: 7. Judicabit in nationibus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | A Major | 4 | 11B | 111 BPM |
Section: 0.6883094310760498
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