"Metropolis: I. Auftakt: Maria mit Kindern" by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel was released on June 7, 2011. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gottfried Huppertz, Frank Strobel's "Metropolis" album is number 5 out of 32. In terms of popularity, Metropolis: I. Auftakt: Maria mit Kindern is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Metropolis: I. Auftakt: Maria mit Kindern by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Sogni Del Principe / Giovani Eroi / Partenza Di Tancredi / Amore E Ambizione / Quasi In Porto / Finale | Nino Rota | A♭ Major | 2 | 4B | 178 BPM | ||
Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | C Major | 4 | 8B | 144 BPM | ||
Der Liebestrank: Tief war ihres Auges Schimmer, heimlich die Träne ihr rann | Gaetano Donizetti, Walther Ludwig, Berlin Radio Symphony Orchestra, Horst Stein | G Major | 3 | 9B | 115 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VII. in C minor. Allegro assai | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | ||
Ivan the Terrible, Op. 116, Pt. 1: Anastasia Is Poisoned (Continued) - Ivan at Anastasia's Coffin | Sergei Prokofiev, Berlin Radio Symphony Orchestra, Frank Strobel | B♭ Major | 2 | 6B | 80 BPM | ||
Offertory: Intende voci, D. 963 | Franz Schubert, Peter Schreier, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Dietrich Knothe | B♭ Major | 1 | 6B | 127 BPM | ||
The Maltese Falcon | Moscow Symphony Orchestra, Adolph Deutsch, John Morgan | F Major | 1 | 7B | 117 BPM | ||
Caprice Russe (Russian Capriccio), Op. 102 | Anton Rubinstein, USSR State Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 3 | 5B | 109 BPM | ||
Now, Voyager | Charles Gerhardt | A Major | 3 | 11B | 101 BPM |
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