"Samson et Dalila / Act 1: Voici le printemps..." by Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham was released on January 1, 1979. The duration of Samson et Dalila / Act 1: Voici le printemps... is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Samson et Dalila / Act 1: Voici le printemps...'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Saint-Saëns: Samson et Dalila". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Samson et Dalila / Act 1: Voici le printemps... is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Samson et Dalila / Act 1: Voici le printemps... by Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Je te veux | Erik Satie, Giacomo Scinardo | C Major | 1 | 8B | 112 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Paquita: Variation 5: Allegro non troppo (by Cherepnin) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Minor | 1 | 9A | 140 BPM | ||
Messe de Requiem, Op. 54: VIII. Agnus dei | Camille Saint-Saëns, Diego Fasolis, Orchestra della Svizzera Italiana, Marie-Paule Dotti, Guillemette Laurens, Luca Lombardo, Nicolas Teste, Francesco Cera, Radio Svizzera Choir | B Minor | 8 | 10A | 141 BPM | ||
So This Is Love | Emile Pandolfi | G Major | 2 | 9B | 164 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
Section: 0.7740552425384521
End: 0.7781631946563721