Eric Schmidt, Jonathan Rosenberg's 'Kapitel 10.6 & Kapitel 11.1 - Wie Google tickt - How Google Works' came out on January 8, 2015. The duration of Kapitel 10.6 & Kapitel 11.1 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:08. Based on our data, "Kapitel 10.6 & Kapitel 11.1 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #18 out of 137 tracks. In terms of popularity, Kapitel 10.6 & Kapitel 11.1 - Wie Google tickt - How Google Works is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Since Kapitel 10.6 & Kapitel 11.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 10.6 & Kapitel 11.1 - Wie Google tickt - How Google Works being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Kapitel 29.3 & Kapitel 30.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | F♯ Major | 2 | 2B | 85 BPM | ||
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | ||
Charpentier: Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Ann Murray, Dawn Upshaw, Ethna Robinson, Kurt Moll | D Major | 1 | 10B | 90 BPM | ||
Quousque Dómine (salmo 12) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
Messa di Gloria: XIV. Et unam, sanctam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | A♭ Major | 1 | 4B | 70 BPM | ||
Kapitel 32.3 & Kapitel 33.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | F Minor | 2 | 4A | 84 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Mädchenblumen, Op. 22, TrV 153: No. 4, Wasserrose | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Major | 0 | 6B | 76 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM |
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