"Ach, dass ich Wassers g'nug hätte Lamento" by Johann Christoph Bach, David Cordier, Musica Antiqua Köln, Reinhard Goebel, Andreas Staier had its release date on January 1, 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rheinische Kantorei, Musica Antiqua Köln, Reinhard Goebel's "J.M. Bach, G.C. Bach, J.C. Bach: Cantatas by members of the Bach family" album is number 2 out of 13. Based on our statistics, Ach, dass ich Wassers g'nug hätte Lamento's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ach, dass ich Wassers g'nug hätte Lamento by Johann Christoph Bach, David Cordier, Musica Antiqua Köln, Reinhard Goebel, Andreas Staier to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" | George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew Manze | A Major | 1 | 11B | 84 BPM | ||
Der Gerechte, ob er gleich zu zeitlich stirbt | Johann Christoph Bach, Julia Doyle, Katherine Fuge, Clare Wilkinson, Nicholas Mulroy, James Gilchrist, Jeremy Budd, Matthew Brook, Peter Harvey, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 74 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Suite En Mi Mineur: Prelude, II.96 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 108 BPM | ||
Now, Oh Now I Needs Must Part | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Echo fantasia in Dorian mode, SwWV 261 | Jan Pieterszoon Sweelinck, Joseph Kelemen | A♭ Minor | 0 | 1A | 71 BPM | ||
Miserere in C minor: Sicut erat | Thomas Hengelbrock | E Major | 1 | 12B | 102 BPM | ||
Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 2, Erleuchte mich, o segenvolles Licht | Georg Philipp Telemann, Bergen Barokk | F♯ Minor | 2 | 11A | 115 BPM | ||
Jesu, meine Freude in E Minor, BuxWV 60: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 167 BPM |