Traditional, The Regimental Band of the Coldstream Guards, Captain R.A. Ridings, Major T.L. Sharpe made "I'm Ninety-Five" available on July 1, 2003. With I'm Ninety-Five being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Regimental Marches of the British Army, Vol. 2". In this album, this song's track order is #44. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, I'm Ninety-Five is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With I'm Ninety-Five by Traditional, The Regimental Band of the Coldstream Guards, Captain R.A. Ridings, Major T.L. Sharpe having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesus, Joy of Man's Desiring - Studio | Radio Luxembourg Symphony Orchestra | G Major | 1 | 9B | 62 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
The English Dance Master, Vol. 1: The Beggar Boy | John Playford, Baltimore Consort | F Major | 0 | 7B | 78 BPM | ||
Missa pro defunctis: Kyrie | Traditional, Cistercian Monks of Stift Heiligenkreuz | F Major | 1 | 7B | 179 BPM | ||
Te Deum | Marc-Antoine Charpentier, Noel Rawsthorne | D Major | 3 | 10B | 71 BPM | ||
Agnus Dei | Probandi Benedittini Di San Giovanni In Parma | F Major | 1 | 7B | 76 BPM | ||
Earth Song | John Alexander, Pacific Chorale | F Major | 1 | 7B | 122 BPM | ||
Final Angelus Bells | Monks Of The Abbey Of Notre Dame | D Minor | 1 | 7A | 76 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Laridé | Traditional, Jessica Baran-Surel | B♭ Major | 5 | 6B | 140 BPM |
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