"Stanislas se souvient - BOF "La bûche"" by Ivry Gitlis was released on April 1, 2022. The duration of Stanislas se souvient - BOF "La bûche" is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Stanislas se souvient - BOF "La bûche"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michel Legrand's "Hier & demain" album is number 18 out of 108. On top of that, France appears to be the country where this track was created. In terms of popularity, Stanislas se souvient - BOF "La bûche" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stanislas se souvient - BOF "La bûche" by Ivry Gitlis to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
Porgy and Bess: It Ain’t Necessarily So (Arr. for Violin and Piano by Heifetz) | George Gershwin, 대니 구(Danny Koo) | B Minor | 1 | 10A | 168 BPM | ||
Violin Concerto No. 2 in D Minor Op. 22: Allegro alla zingara | Henryk Wieniawski, Ivry Gitlis, Monte-Carlo Philharmonic Orchestra, Jean-Claude Casadesus | E Minor | 1 | 9A | 138 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Piano Trio in B Major, Op. 8: II. Scherzo. Allegro molto | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
Tristan und Isolde, WWV 90: VI, Brangänes Verzweiflung - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Lyric Pieces, Op. 12: No. 1, Arietta (arr. V. Godar) | Vladimír Godár, Edvard Grieg, Takako Nishizaki, Jenő Jandó | E♭ Major | 2 | 5B | 98 BPM | ||
Sonata for Piano and Violin No. 3 in G Minor, Op. Posth. 137, D. 408: IV. Allegro moderato | Franz Schubert, David Grimal, Valery Afanassiev | A♭ Minor | 1 | 1A | 114 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Cello & Piano by Anonymous): II. Adagio | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Massenet: タイースの瞑想曲 | Jules Massenet, Shigeo Neriki, Ivry Gitlis | F Major | 7 | 7B | 132 BPM |
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