"Lagrime d'amante al sepolcro dell'amata (a Lover's Tears at the Tomb of His Beloved): 4a parte - Ma te raccoglie, o ninfa [yet heaven gathers you, o Nymph]" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini was released on June 26, 2007. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ's "Monteverdi: Madrigals, Book 6" album is number 11 out of 35. On top of that, Hong Kong appears to be the country where this track was created. Lagrime d'amante al sepolcro dell'amata (a Lover's Tears at the Tomb of His Beloved): 4a parte - Ma te raccoglie, o ninfa [yet heaven gathers you, o Nymph] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lagrime d'amante al sepolcro dell'amata (a Lover's Tears at the Tomb of His Beloved): 4a parte - Ma te raccoglie, o ninfa [yet heaven gathers you, o Nymph] by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beatus vir: I. Beatus vir | Domenico Zipoli, Florilegium, Bolivian Soloists | E Major | 2 | 12B | 117 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
O dolce anima mia, dunque e pur vero | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | A♭ Major | 0 | 4B | 114 BPM | ||
Ich weiss, dass mein Erlöser lebet | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 0 | 9B | 123 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De Namur | B Minor | 2 | 10A | 89 BPM | ||
Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): Se la mia morte brami | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A Major | 1 | 11B | 115 BPM | ||
Lamento D'Arianna: I. Lasciatemi Morire | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Major | 1 | 11B | 89 BPM | ||
Requiem in F Minor, C 8: Ia. Introitus | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 180 BPM |
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