Nicol Matt, Johann Sebastian Bach, Heike Hümmer, Robert Sagasser, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Martina Rotbauer, Nordic Chamber Choir, Ute Petersilge, Jens Wollenschläger's 'Gott Lebet Noch Bwv 320' came out on March 28, 2007. With Gott Lebet Noch Bwv 320 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Gott Lebet Noch Bwv 320 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gott Lebet Noch Bwv 320 by Nicol Matt, Johann Sebastian Bach, Heike Hümmer, Robert Sagasser, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Martina Rotbauer, Nordic Chamber Choir, Ute Petersilge, Jens Wollenschläger is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, (G. 2): II. Grave | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | E Major | 0 | 12B | 76 BPM | ||
In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 79 BPM | ||
Basse et Dessus de Trompette | Louis-Nicolas Clérambault, Jean Victor Arthur Guillou | D Minor | 1 | 7A | 68 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: IX. Sicut erat | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 3 | 10B | 87 BPM | ||
Andante in E Minor (pipe organ) | Giovanni Andrea Fioroni, Pastór de Lasala | D♭ Minor | 0 | 12A | 72 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 1. Chor. Magnificat anima mea Dominum | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 135 BPM | ||
Gagliarda Terza detta la Talianella | The Royal Wind Music | A♭ Major | 1 | 4B | 169 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VII. Pt. 6 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 65: No. 1, "Verzicht, o Herz auf Rettung" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | A Minor | 2 | 8A | 155 BPM | ||
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM |
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