"Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro" by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra was released on November 22, 2010. The duration of Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Tchaikovsky: Schwanensee (Highlights)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in C minor, Op. 68: 3. Un poco allegretto e grazioso | Johannes Brahms, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Minor | 4 | 12A | 153 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Coppélia / Tableau 2: No.14 Scène et Valse de la Poupée | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 0 | 10B | 80 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): III. Moderato: Women's Variation | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 101 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act III: No. 22, Neapolitan Dance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 160 BPM | ||
The Carnival of the Animals, R.125: I. Introduction and Royal March of the Lion | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | A Minor | 3 | 8A | 83 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23f. Pas de quatre: Coda | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | D Major | 0 | 10B | 95 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM |
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