""La Cambiale Di Matrimonio": Aria" by Maurizio Comencini, English Chamber Orchestra, Francesco Facini, Maciej Rakowski, Alessandra Rossi, Ursula Duetschler, Bruno Pratico, Bruno De Simone, Valerio Baiano, Marcello Viotti was released on January 1, 1991. With this song being about 5 minutes long, at 5:25, ""La Cambiale Di Matrimonio": Aria" by Maurizio Comencini, English Chamber Orchestra, Francesco Facini, Maciej Rakowski, Alessandra Rossi, Ursula Duetschler, Bruno Pratico, Bruno De Simone, Valerio Baiano, Marcello Viotti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bruno Praticò, Alessandra Rossi, Maurizio Comencini, Bruno de Simone, Francesco Facini, Valerio Baiano, English Chamber Orchestra, Maciej Rakowski, Ursula Duetschler & Marcello Viotti's "Gioacchino Rossini: La Cambiale Di Matrimonio" album is number 15 out of 18. In terms of popularity, "La Cambiale Di Matrimonio": Aria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "La Cambiale Di Matrimonio": Aria by Maurizio Comencini, English Chamber Orchestra, Francesco Facini, Maciej Rakowski, Alessandra Rossi, Ursula Duetschler, Bruno Pratico, Bruno De Simone, Valerio Baiano, Marcello Viotti to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia, Act III: Quest'arietta (Live) | Francesco Morlacchi, Maurizio Comencini, Alessandra Ruffini, Giorgio Gatti, Orchestra Giovanile In Canto, Gabriele Catalucci | B♭ Major | 2 | 6B | 78 BPM | ||
Tosca: Act I: Recondita armonia (Cavaradossi, Il Sagrestano) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
La Bohème / Act 2: "Chi guardi?" - "Ecco i giocattoli di Parpignol" | Giacomo Puccini, Luciano Pavarotti, Nicolai Ghiaurov, Mirella Freni, Gianni Maffeo, Gernot Pietsch, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 172 BPM | ||
Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
Verdi: Aida, Act 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Aida, Radamès, Amneris, Chorus) | Giuseppe Verdi, Riccardo Muti, Fiorenza Cossotto, Luigi Roni, Montserrat Caballé, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | A Major | 4 | 11B | 89 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act I Scene 8: Aria: Gia d'insolito ardore nel petto (Mustafa) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | D Minor | 0 | 7A | 106 BPM | ||
Al Quatiere latin ci attende Momus (Schaunard/Marcello/Rodolfo/Colline) - 1997 Remastered Version | Giacomo Puccini, Manuel Spatafora, Rolando Panerai, Giuseppe Di Stefano, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | B Minor | 1 | 10A | 66 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Meco all'altar di Venere (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 3 | 9B | 98 BPM | ||
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
L'Ape Musicale: Act II Scene 3: Languir per una bella e star lontan (Narciso) - Finale: Della Fortuna instabile (Chorus, Narciso, Lucinda, Mongibello) | Wolfgang Amadeus Mozart, Antonio Salieri, Domenico Cimarosa, Gioachino Rossini, Niccolò Antonio Zingarelli, Adelina Scarabelli, William Matteuzzi, Enzo Dara, Maurizio Comencini, Bruno De Simone, Teatro la Fenice Chorus, Teatro la Fenice Orchestra, Vittorio Parisi | D♭ Minor | 1 | 12A | 84 BPM |
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