"Les Pêcheurs de perles (edition based on the original 1863 version; orchestration of restored material by Arthur Hammond), Act III - Seconde partie: Le jour enfin perce la nue ! (Nourabad, Chorus, Zurga, Nadir, Léïla) - 1990 Remastered Version" by Eugene Cormon, Georges Bizet, Michel Carre, Ileana Cotrubas, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra was released on January 6, 2012. The duration of Les Pêcheurs de perles (edition based on the original 1863 version; orchestration of restored material by Arthur Hammond), Act III - Seconde partie: Le jour enfin perce la nue ! (Nourabad, Chorus, Zurga, Nadir, Léïla) - 1990 Remastered Version is about 3 minutes long, at 3:01. Based on our data, "Les Pêcheurs de perles (edition based on the original 1863 version; orchestration of restored material by Arthur Hammond), Act III - Seconde partie: Le jour enfin perce la nue ! (Nourabad, Chorus, Zurga, Nadir, Léïla) - 1990 Remastered Version" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 15 in Bizet: Les Pêcheurs des Perles by Georges Bizet, Georges Prêtre. Les Pêcheurs de perles (edition based on the original 1863 version; orchestration of restored material by Arthur Hammond), Act III - Seconde partie: Le jour enfin perce la nue ! (Nourabad, Chorus, Zurga, Nadir, Léïla) - 1990 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Pêcheurs de perles (edition based on the original 1863 version; orchestration of restored material by Arthur Hammond), Act III - Seconde partie: Le jour enfin perce la nue ! (Nourabad, Chorus, Zurga, Nadir, Léïla) - 1990 Remastered Version by Eugene Cormon, Georges Bizet, Michel Carre, Ileana Cotrubas, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse, HWV 40 / Act 1: Ombra mai fù | George Frideric Handel, Danielle de Niese, The English Concert, Harry Bicket | E Major | 1 | 12B | 58 BPM | ||
Schwanengesang, D. 957: Ständchen | Franz Schubert, Peter Schreier, András Schiff | D Major | 0 | 10B | 164 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Zadok The Priest (Coronation Anthem No. 1, HWV 258) | George Frideric Handel, Choir of New College, Oxford, Matthew Halls, Academy of Ancient Music, Edward Higginbottom | C Major | 1 | 8B | 166 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Madama Butterfly - Opera in two acts (1986 Digital Remaster), Act II: Humming Chorus | Giacomo Puccini, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli | B♭ Major | 0 | 6B | 74 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM |
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