Wolfgang Amadeus Mozart, Ingvar Wixell, Mirella Freni, Yvonne Minton, Robert Tear, BBC Symphony Orchestra, Sir Colin Davis's 'Le nozze di Figaro / Act 1: "Ah, son perduto!"' came out on January 1, 1971. The duration of Le nozze di Figaro / Act 1: "Ah, son perduto!" is about 3 minutes long, at 3:29. Based on our data, "Le nozze di Figaro / Act 1: "Ah, son perduto!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Ingvar Wixell, Jessye Norman, Wladimiro Ganzarolli, Mirella Freni, Sir Colin Davis's "Mozart: Le Nozze di Figaro (Complete Mozart Edition)" album is number 8 out of 44. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Le nozze di Figaro / Act 1: "Ah, son perduto!" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro / Act 1: "Ah, son perduto!" by Wolfgang Amadeus Mozart, Ingvar Wixell, Mirella Freni, Yvonne Minton, Robert Tear, BBC Symphony Orchestra, Sir Colin Davis to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Symphony in D Major, F. 29: II. Andante grazioso | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 81 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 82 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |
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