Isaac Albéniz, John Williams's 'Suite Española No. 1, Op. 47: No. 3, Sevilla (Arr. J. Williams for Guitar)' came out on 1964. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Spanish Guitar Favourites". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Suite Española No. 1, Op. 47: No. 3, Sevilla (Arr. J. Williams for Guitar) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite Española No. 1, Op. 47: No. 3, Sevilla (Arr. J. Williams for Guitar) by Isaac Albéniz, John Williams having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Sonatina canonica, Op. 196: II. Tempo di Siciliane | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 0 | 8A | 91 BPM | ||
Violin Concerto in D Major, RV 230: I. Allegro | Antonio Vivaldi, János Rolla, John Williams, Franz Liszt Chamber Orchestra | D Major | 4 | 10B | 93 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): IV. Cadiz (Cancion) | Jason Vieaux, Isaac Albéniz | A Major | 1 | 11B | 95 BPM | ||
Lagrima : Lagrima | Norbert Kraft | E Major | 0 | 12B | 76 BPM | ||
Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM |
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